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	<title>Comments on: Evergreen: Poster Illustration</title>
	<atom:link href="http://illustrationclass.com/2007/11/06/evergreen-poster-illustration/feed/" rel="self" type="application/rss+xml" />
	<link>http://illustrationclass.com/2007/11/06/evergreen-poster-illustration/</link>
	<description>Documenting The Illustrative Design Process</description>
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		<title>By: sharon</title>
		<link>http://illustrationclass.com/2007/11/06/evergreen-poster-illustration/comment-page-1/#comment-714</link>
		<dc:creator>sharon</dc:creator>
		<pubDate>Fri, 12 Aug 2011 02:02:48 +0000</pubDate>
		<guid isPermaLink="false">http://www.illustrationclass.com/?p=100#comment-714</guid>
		<description>Wow, I registered just to comment. This is almost *exactly* what I&#039;ve been trying to do and my doodles/designs are so similar (wish I could show you). I&#039;ve been thinking a lot lately about negative space in designs .. and working to scan designs and vectorize them in Illustrator. Thanks so much for the tutorial, very inspirational.</description>
		<content:encoded><![CDATA[<p>Wow, I registered just to comment. This is almost *exactly* what I&#8217;ve been trying to do and my doodles/designs are so similar (wish I could show you). I&#8217;ve been thinking a lot lately about negative space in designs .. and working to scan designs and vectorize them in Illustrator. Thanks so much for the tutorial, very inspirational.</p>
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		<title>By: ArtArtman</title>
		<link>http://illustrationclass.com/2007/11/06/evergreen-poster-illustration/comment-page-1/#comment-196</link>
		<dc:creator>ArtArtman</dc:creator>
		<pubDate>Sun, 09 Aug 2009 05:41:56 +0000</pubDate>
		<guid isPermaLink="false">http://www.illustrationclass.com/?p=100#comment-196</guid>
		<description>Hey Von,
  I really appreciate your tutorials.  I have been thinking of this kind of design (tribal) printed on t-shirts.  A worn tattoo that is not permanent. Some color, some just black. 
 Anyway, keep up the good work.

 Art</description>
		<content:encoded><![CDATA[<p>Hey Von,<br />
  I really appreciate your tutorials.  I have been thinking of this kind of design (tribal) printed on t-shirts.  A worn tattoo that is not permanent. Some color, some just black.<br />
 Anyway, keep up the good work.</p>
<p> Art</p>
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		<title>By: Kordump</title>
		<link>http://illustrationclass.com/2007/11/06/evergreen-poster-illustration/comment-page-1/#comment-195</link>
		<dc:creator>Kordump</dc:creator>
		<pubDate>Thu, 15 Nov 2007 01:17:56 +0000</pubDate>
		<guid isPermaLink="false">http://www.illustrationclass.com/?p=100#comment-195</guid>
		<description>Pro bono projects are the worst. People tend to make silly demands they would never make if were paying by the hour. Recently worked on a small photo-book and ended up proofing text because my friend assumed it was my job to make sure the copy she mailed me was errar-free. will never do it again unless it comes with enourmous amouts of exposure to new markets.

If I want to make art it will be under the &quot;client: self&quot; categorie.</description>
		<content:encoded><![CDATA[<p>Pro bono projects are the worst. People tend to make silly demands they would never make if were paying by the hour. Recently worked on a small photo-book and ended up proofing text because my friend assumed it was my job to make sure the copy she mailed me was errar-free. will never do it again unless it comes with enourmous amouts of exposure to new markets.</p>
<p>If I want to make art it will be under the &#8220;client: self&#8221; categorie.</p>
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		<title>By: admin</title>
		<link>http://illustrationclass.com/2007/11/06/evergreen-poster-illustration/comment-page-1/#comment-194</link>
		<dc:creator>admin</dc:creator>
		<pubDate>Sun, 11 Nov 2007 01:33:09 +0000</pubDate>
		<guid isPermaLink="false">http://www.illustrationclass.com/?p=100#comment-194</guid>
		<description>Believe it or not I avoid using most of Illustrators path editing tools because it&#039;s too slow having to constantly change out tools too edit, select and then the point control is horrible.

So instead I use a great plugin for Illustrator called &lt;a href=&quot;http://www.cvalley.com/products/xtreampath/movies.html&quot; target=&quot;_blank&quot; title=&quot;Adobe could learn from this company!&quot; rel=&quot;nofollow&quot;&gt;Xtreampath.&lt;/a&gt; It adds a bunch of very useful and intuitive editing tools into the AI toolbox and they make editing paths easy. Just check out their site to watch video examples.

Well worth the price in my opinion based on the time it saves in the long run.</description>
		<content:encoded><![CDATA[<p>Believe it or not I avoid using most of Illustrators path editing tools because it&#8217;s too slow having to constantly change out tools too edit, select and then the point control is horrible.</p>
<p>So instead I use a great plugin for Illustrator called <a href="http://www.cvalley.com/products/xtreampath/movies.html" target="_blank" title="Adobe could learn from this company!" rel="nofollow">Xtreampath.</a> It adds a bunch of very useful and intuitive editing tools into the AI toolbox and they make editing paths easy. Just check out their site to watch video examples.</p>
<p>Well worth the price in my opinion based on the time it saves in the long run.</p>
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		<title>By: buildyo</title>
		<link>http://illustrationclass.com/2007/11/06/evergreen-poster-illustration/comment-page-1/#comment-193</link>
		<dc:creator>buildyo</dc:creator>
		<pubDate>Sat, 10 Nov 2007 22:01:40 +0000</pubDate>
		<guid isPermaLink="false">http://www.illustrationclass.com/?p=100#comment-193</guid>
		<description>Thankyou for your tutorials.
Could you please explain how you do Step 7 and 8. Do you use the convert anchor point tool to pull out the handles from the previously placed dots? Also, Is there a trick to push one handle back into the point without altering the other one?</description>
		<content:encoded><![CDATA[<p>Thankyou for your tutorials.<br />
Could you please explain how you do Step 7 and 8. Do you use the convert anchor point tool to pull out the handles from the previously placed dots? Also, Is there a trick to push one handle back into the point without altering the other one?</p>
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	<item>
		<title>By: admin</title>
		<link>http://illustrationclass.com/2007/11/06/evergreen-poster-illustration/comment-page-1/#comment-192</link>
		<dc:creator>admin</dc:creator>
		<pubDate>Sat, 10 Nov 2007 10:51:41 +0000</pubDate>
		<guid isPermaLink="false">http://www.illustrationclass.com/?p=100#comment-192</guid>
		<description>I have to admit out of all the features in CS3 Illustrator &quot;Opacity Masks&quot; are the most un-intuitive and clunky methods you have to stumble your way through when using the program. 

You&#039;d think since Adobe owns Photoshop and they&#039;ve adapted elements from that into AI that they&#039;d also take a cue in regards to other things that in Photoshop are far more intuitive such as masking (opacity or otherwise) and the ability to blend from a solid color to transparent. But I digress they don&#039;t.

I&#039;ll cover opacity masks in more detail in an up coming tutorial,</description>
		<content:encoded><![CDATA[<p>I have to admit out of all the features in CS3 Illustrator &#8220;Opacity Masks&#8221; are the most un-intuitive and clunky methods you have to stumble your way through when using the program. </p>
<p>You&#8217;d think since Adobe owns Photoshop and they&#8217;ve adapted elements from that into AI that they&#8217;d also take a cue in regards to other things that in Photoshop are far more intuitive such as masking (opacity or otherwise) and the ability to blend from a solid color to transparent. But I digress they don&#8217;t.</p>
<p>I&#8217;ll cover opacity masks in more detail in an up coming tutorial,</p>
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	<item>
		<title>By: Dangerdom</title>
		<link>http://illustrationclass.com/2007/11/06/evergreen-poster-illustration/comment-page-1/#comment-191</link>
		<dc:creator>Dangerdom</dc:creator>
		<pubDate>Thu, 08 Nov 2007 20:21:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.illustrationclass.com/?p=100#comment-191</guid>
		<description>Awesome tutorial. Illustrates a good way to get simple variation to add interest with blending techniques.

I have a quick question about the step between 26 an 27. Could you detail how you created the &quot;Opacity Mask&quot;? Is there a blur in there or just a black to white gradient? For some reason I can never select the clip option in the transparency palette. I may not be quite understanding the process you&#039;re using to create the compound paths.

Thanks!
-Dom-</description>
		<content:encoded><![CDATA[<p>Awesome tutorial. Illustrates a good way to get simple variation to add interest with blending techniques.</p>
<p>I have a quick question about the step between 26 an 27. Could you detail how you created the &#8220;Opacity Mask&#8221;? Is there a blur in there or just a black to white gradient? For some reason I can never select the clip option in the transparency palette. I may not be quite understanding the process you&#8217;re using to create the compound paths.</p>
<p>Thanks!<br />
-Dom-</p>
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